Part 2 of the moulded plus-size corset. In Part 1 I did a plaster-of-Paris body cast on my model Feya, so I’d have a mannequin shaped exactly like her body instead of my usual size-zero one. Now that the cast has cured, I’m using it to build the actual corset: applying resin onto fabric, directly on the mould, to build up the corset shape. It’s messy, it’s magical, and it’s so worth it.
Building the Corset Shape
This is the step where the mould actually earns its keep. Because it’s a cast of Feya’s body rather than a generic form, the fabric and resin lay against it exactly the way they’ll sit on her, so what comes off the mould is already her shape, not something that needs heavy reworking afterwards. I’m laying resin-soaked fabric over the cast by hand, building it up in layers to get the structure and finish I want.
It’s a proper busy day in the studio. I’m working on several pieces for London Fashion Week at once, in collaboration with @lv_teddygram, with music by @mrkellyking_official.
Feya’s Corset: The Full Story, Part 2
And part two, from the resin work through to the finished corset on Feya at London Fashion Week.
What’s Left to Do
This is just step two. What you see in the video is the shape coming together, but it still has to be refined and finished before it’s runway ready for London Fashion Week. There’s more shaping, detailing, and finishing work to come before it walks.
Coming Up Next
This won’t be the last moulded piece in this collection. Next up, I’m working on a heat-moulded PETG corset, and a resin corset for a male model, so keep an eye out for both.
Find me here:

