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  • BTS: Making a Moulded Corset for Any Body Size (Part 2 — The Resin Work)

    BTS: Making a Moulded Corset for Any Body Size (Part 2 — The Resin Work)

    Part 2 of the moulded plus-size corset. In Part 1 I did a plaster-of-Paris body cast on my model Feya, so I’d have a mannequin shaped exactly like her body instead of my usual size-zero one. Now that the cast has cured, I’m using it to build the actual corset: applying resin onto fabric, directly on the mould, to build up the corset shape. It’s messy, it’s magical, and it’s so worth it.

    Building the Corset Shape

    This is the step where the mould actually earns its keep. Because it’s a cast of Feya’s body rather than a generic form, the fabric and resin lay against it exactly the way they’ll sit on her, so what comes off the mould is already her shape, not something that needs heavy reworking afterwards. I’m laying resin-soaked fabric over the cast by hand, building it up in layers to get the structure and finish I want.

    It’s a proper busy day in the studio. I’m working on several pieces for London Fashion Week at once, in collaboration with @lv_teddygram, with music by @mrkellyking_official.

    BTS: applying resin onto fabric over the body cast, Part 2

    What’s Left to Do

    This is just step two. What you see in the video is the shape coming together, but it still has to be refined and finished before it’s runway ready for London Fashion Week. There’s more shaping, detailing, and finishing work to come before it walks.

    Coming Up Next

    This won’t be the last moulded piece in this collection. Next up, I’m working on a heat-moulded PETG corset, and a resin corset for a male model, so keep an eye out for both.

    I still have travel and accommodation to cover before the show. If you’d like to support the journey, I’m fundraising here, and everyone who donates is entered into a draw to win one of my jackets or an exclusive 3D-printed bag. Tickets to the show on 19th September with House of iKons Fashion Week London are on sale now too. Thank you so much for your support.

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  • BTS: How I Made a Moulded Corset for Any Body Size (Part 1)

    BTS: How I Made a Moulded Corset for Any Body Size (Part 1)

    I’ve had so many people ask me how I make my moulded corsets, so I’m pulling back the curtain. This is Part 1 of a two-part BTS series on the moulded corset I’m making for my London Fashion Week collection, The Rebel Equinox: Cult of the Bloom, worn by my plus-size model Feya.

    The Problem With Moulded Corsets

    Moulded corsets are usually made one of two ways: cast in resin, or heat-moulded from PETG plastic sheet. Both have a catch. Resin is toxic to work with until it’s fully cured, so you can’t mould it directly against skin. PETG has to be heat-formed over a mannequin, so it can’t be shaped on a person either. Every moulded corset I’d made up to now had been built on my dolly-shop mannequin, which is a standard size zero. That’s fine if your client happens to be a size zero. It’s not fine if they’re not, and most people aren’t.

    I only own the one mannequin size, but I get asked for moulded corsets by people of every shape, so I needed a way to get a genuinely custom, perfect-fit mould without either putting toxic resin on skin or trying to heat-mould plastic on a living person.

    The Idea: Cast the Body, Then Mould the Corset

    Here’s what I figured out: do a plaster-of-Paris body cast directly on Feya first. Once that cast is set and cured, it becomes a solid, completely safe mannequin, one that’s shaped exactly like her body, not a generic size zero. I can then do the resin work on the plaster cast instead of on Feya herself, with zero toxicity risk, and the finished corset comes off fitting her perfectly, because it was built on a copy of her actual body.

    It means I’m no longer limited to the one mannequin size I own. Any body, any size, I can now make a bespoke moulded corset that actually fits, instead of a size-zero shape awkwardly adjusted afterwards.

    BTS: doing the plaster-of-Paris body cast on Feya, Part 1

    Why This Matters to Me

    I came up with this because I only have size-zero mannequins, and now I can create moulded corsets for any body size. That’s what inclusive fashion is all about, fashion should be for everyone. Feya is one of the most striking women I’ve ever worked with, and she deserves a moulded piece that was actually made for her body, not forced onto it.

    This piece will be refined and shown on the runway at London Fashion Week next month. When I get opportunities, my models and the people I work with get them too, always.

    In collaboration with @lv_teddygram and @mrkellyking_official.

    What’s Next

    Part 2 is live now: see the resin work on the finished body cast, and how the corset shape comes together.

    London Fashion Week is expensive: materials, travel, accommodation. If you’d like to support the journey, I’m fundraising here, and everyone who donates is entered into a draw to win one of my jackets or an exclusive 3D-printed bag. Tickets to the show are also on sale now if you’d like to see it in person. Even a share helps, and I’m truly grateful for every bit of support.

    Find me here:

  • The Road to London Fashion Week

    The Road to London Fashion Week

    I’ve been meaning to start this blog for a while, and with just weeks to go until London Fashion Week, it feels like the right time. This is where I’ll be documenting the run-up to my debut with House of iKons on 19th September with my collection, The Rebel Equinox: Cult of the Bloom. Expect the drama, the chaos, the late nights, and everything in between. This is a dream I’ve had since I left uni in 2022, and I’ve worked hard for it. Thank you to everyone who’s supported me along the way, you’ve helped make it real too.

    About Me

    For anyone new here: I’m an alternative, inclusive designer creating gothic-punk-meets-elegant couture from Liverpool, built on a strong upcycling practice. I hold a BA in Fashion and Textiles.

    How This Came Together

    My most recent show, and my first ever show in London, was with @ldnfashion_bikersrunway, and it was that opportunity that led to House of iKons inviting me to show at London Fashion Week. It’s all happened really fast: most designers get six months to a year to prepare a collection for a show like this. I’ve had a fraction of that.

    My LFW show is in collaboration with @lv_teddygram, and I’m dressing the Teddys as part of the collection, with @mrkellyking_official on the music, and showing with House of iKons Fashion Week London. I’m also bringing my own models and photographers from Creative Connections with me, because whenever I get an opportunity, I make sure the community I’ve built gets a shot too.

    The Collection

    Most of the collection is upcycled, some pieces reworked for the third time, alongside other upcycled fabrics and finds, with a few new pieces mixed in too.

    Tickets are on sale now, and I’d love to see you there.

    How You Can Help

    If you’d like to help make this happen, I’m fundraising towards the cost of the show: materials, fittings, travel, and production. Everyone who donates will be entered into a draw to win one of my jackets or an exclusive 3D-printed bag. Every bit helps, and I’ll be sharing updates here as the collection develops.

    Behind the scenes at the LDN bikers show

    More soon. Thank you for being here.

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    Share this if you can, it means more than you know.

    More about me